Flux Vase, Grey by Rosenthal - Large

Description

Rosenthal continues the success story of the "Flux" vase and now reissues it in glass. The transparent material underlines the lightness of the object and emphasizes the flowing shape of the body. The transparent material underlines the lightness of the object and emphasizes the flowing shape of the body. A vertical running line turns the object into an entity in its own right, as if by magic. Design by Harry-Paul 2020. Available in three sizes and in clear, violet and grey, flower arrangements of all kinds find their stylish place in it. “Flux” is a further design object by Harry-Paul. Rosenthal continues the success story of the "Flux" vase and now reissues it in glass. The transparent material underlines the lightness of the object and emphasizes the flowing shape of the body. Available in three sizes and in clear, violet and grey, flower arrangements of all kinds find their stylish place in it. “Flux” is a further design object by Harry-Paul. The artistic couple’s intention: Two completely different shapes appear side-by-side but never seem to touch each other – abstract at the upper edge and geometric at the lower edge – thus creating additional interest. A vertical running line turns the object into an entity in its own right, as if by magic. The fascination of this vase is harbored in this contrast between simultaneous unity and inner conflict. Design by Harry-Paul 2020. Rosenthal continues the success story of the "Flux" vase and now reissues it in glass.

Key Features

• The transparent material underlines the lightness of the object and emphasizes the flowing shape of the body.
• The fascination of this vase is harbored in this contrast between simultaneous unity and inner conflict.
• A vertical running line turns the object into an entity in its own right, as if by magic.
• Available in three sizes and in clear, violet and grey, flower arrangements of all kinds find their stylish place in it.
• The artistic couple’s intention: Two completely different shapes appear side-by-side but never seem to touch each other – abstract at the upper edge and geometric at the lower edge – thus creating additional interest.
• Rosenthal continues the success story of the "Flux" vase and now reissues it in glass.